# Creative deep dives

# Ideas worth stealing.

21 unusual executions · The selection bar

21 examples

## Thousands of keys. One shared car.

Ownership becomes a game with no permanent winner. The purchase creates the plot instead of merely funding an advertisement.

## Destroy a luxury bag. Make a sandal.

The expensive input is destroyed in public. The manufacturing process becomes a critique of how luxury value is assigned.

## A mosh-pit diaper you could actually buy.

An embarrassing consequence of drinking becomes a physical punchline with a deliberately excessive solution.

## Winnie-the-Pooh, without the forest.

Absence does the explaining: a recognizable story becomes disturbing when its setting disappears.

## Turn “ice cold” into a full-size coffin.

The death premise becomes working hardware. YETI contributes a functional reason for the object to exist.

## Sunscreen served like whipped cream.

A familiar food gesture is transplanted into sun care; dispensing becomes the demonstration.

## Turn old love letters into toilet paper.

The customer supplies emotionally charged material, and the product gives it an unusually literal ending.

## Pay to keep digging a pointless hole.

The absence of a useful product is the premise: consumer spending itself becomes the spectacle.

## Is the sachet ketchup—or makeup?

Identical-looking formats turn a beauty purchase into a guessing game.

## Customers become honorary employees.

A fictional leisure corporation gives the audience a role to play rather than just a mailing-list label.

## Copy the bars. Challenge the sourcing.

Recognition is the comparison device: familiar pleasures are presented with a different supply-chain proposition.

## A handbag smaller than a crumb.

Miniaturization is pushed past usefulness until a fashion trend becomes an absurd object.

## A jacket made with kilometres of copper.

The future-clothing proposition is expressed in the material, not simply in futuristic styling.

## Make boardroom inequality impossible to skim.

One ordinary first name becomes a memorable unit for an otherwise abstract representation problem.

## One-tenth the sugar. One-tenth Tony Hawk.

The product fraction determines the amount of celebrity shown.

## The cereal box contains one enormous loop.

A small repeated breakfast unit becomes one ridiculous serving.

## Turn “walking on water” into a shoe.

An idiom becomes a physical product premise instead of a tagline.

## Sell exactly what the box says: bullshit.

The anti-promotion follows through literally rather than hiding a conventional discount underneath.

## Your toilet-roll stack becomes a poem.

Packaging becomes a modular writing tool; customers determine the final composition.

## Greatest Hates Live

Criticism becomes raw material for entertainment. Audience reaction can generate another piece of the brand, rather than merely populate a testimonial.

## Corpse Paint with e.l.f.

The collaboration turns the brand’s metal references into a usable object in another category. Packaging, product names and the demonstration share the same joke.

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